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- Edwin Pouncy, "Consumed by Noise," The Wire 198
(2000).
- Ibid.
- In addition, noise in music is a constant element, from attack
noise, to bow noise, to interference phenomenon such as beats and chorus
effect.
- Luigi Russolo, "The Art of Noises." Strunk's Source
Readings in Music History Ed. Leo Treitler (New York: W.W. Norton
and Company, 1998): 1328 - 1334.
- David Revil, The Roaring Silence (New York: Arcade Publishing,
1992).
- One of the more popular music history books, Donald J. Grout and
Claude V. Palisca, A History of Western Music (New York: W.W.
Norton & Company, 2001) clearly illustrates this influence/evolution
approach.
- This "mixing" of genre could be viewed as less homogeneous
and more heterogeneous. As the literary theorist M.M. Bakhtin has stated
in his essay "Discourse on the Novel." The Dialogic Imagination
Ed. Michael Holquist (Austin: University of Texas Press, 1996): 415.,
"...for in the novel there is no single language; there
are rather languages, linked up with each other in a purely stylistic
unity - not at all the same thing as a linguistic unity..." (Italics
by Bakhtin).
- John Backus, The Acoustical Foundations of Music (New York:
W.W. Norton and Company, 1977). Backus uses the term "inharmonic"
instead of "complex" for noise.
- Pouncy, op. cit.
- For an essay which deals specifically with theoretical issues related
to the concept of noise see Paul Hegarty, Full With Noise: Theory
and Japanese Noise Music (ctheory.net).
- This type of analysis is what most new music (The Wire) and pop music
(Rolling Stone, Vibe) magazines focus on.
- The following color images use Fourier analysis to represent the
entire sound signal, including all sine-tones, harmonic and complex
sounds. The horizontal axis represents time and the vertical axis represents
frequency. A color chart on the right shows the intensity level for
each sound, with dark blue showing less intense sounds and red showing
more intense sounds. These images were created using Sound Technology
software.
- For evidence on the way humans group musical material based on, among
many other factors, frequency see Diana Deutsch, "Grouping Mechanisms
in Music.", The Psychology of Music Ed. Diana Deutsch (San
Diego: Academic Press, 1999).
- Chad Hensley, The Beauty of Noise: An interview with Masami Akita
of Merzbow, (Esoterra.com).
- The appearance of M4 which initiates this merger of M4 and M3 occurs
at the positive golden section of Spiral Blast (2'48").
- Georges Bataille Eroticism: Death and Sensuality (San Francisco:
City Lights Books, 1986): 38-39.
- Bataille disagrees with the "scientific" approach which
categorizes taboos as pathological neurotic states, thereby diminishing
the power of transgression. As he states in Eroticism on p. 37,
"This way [scientific] of looking at it does not do away with the
experience but it does minimize its significance."
- A paradox, therefore, emerges. The more one objectifies and accepts
noise, the less powerful the infringement. Has the above acoustic definition
of noise and the analysis of Spiral Blast diminished the power
of the work?
- Georges Bataille, The Tears of Eros (Hong Kong: City Lights
Books, 1989): 19.
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