1. Bracketed text by the author.
2. Noted exceptions occur at m. 8-9 and 12-16 although neither of these figures succeed in establishing the accompaniment gestures (heard for example in mm.32-54), which I posit as the true oppositional correlate of the homophonic sections.
3. This texture is defined as a phrase of piano dynamic points in a low density of TAP = 2 (total attack points) and a compact spectrum (relatively few number of partials).
4. While mm.38-39 exhibit a deletion of materials, mm.41-43 have an overabundance of materials, namely the grace notes which are super-rhythmic in the sense that the measure's metrical scheme do not include them among its beats. We do not add a grace note to a value to achieve a value of greater duration.

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